viernes, 10 de mayo de 2013





Vajra and Bell
The general meaning Vajra and Bell is also the union of method and wisdom. The bell represents wisdom and emptiness, while the vajra represents the method. By using them together, we practice method and wisdom as one. Method becomes the cause to achieve our future Rupakaya. The wisdom becomes the cause to achieve our future Dharmakaya. Achieving these two kayas is our goal, because this is what will lead us to enlightenment for the benefit of all sentient beings. The bell and vajra are also part of our samaya substances.

When you ring the bell, always also hold the vajra in your hand. They are almost never used separately. Normally we ring the bell during all offerings (ARGHAM, PADYAM, PUSHPE, DHUPE, etc). Sometimes we also ring the bell during recitation of the Vajrasattva mantra, but at that time it is done to remind us the essence of emptiness. All the phenomena are empty and the sound of the bell reminds us of that.

The bell is used at the level of your heart. The reason for this is that the extremely subtle mind, or the mind of clear light, is located there inside the central channel.

Symbolism
The vajra is made up of several parts. In the center is a sphere which represents Sunyata, the primordial nature of the universe, the underlying unity of all things. Emerging from the sphere are two eight petals lotus flowers.  One represents the phenomenal world (or in Buddhist terms Samsara); the other represents the noumenal world (or Nirvana). This is one of the fundamental dichotomies which are perceived by the unenlightened. The physical manifestation of the vajra, also called dorje in this context, is the male organ.
Arranged equally around the mouth of the lotus are two, four, or eight creatures which are called makaras. These are mythological half-fish, half-crocodile creatures made up of two or more animals, often representing the union of opposites, (or a harmonization of qualities that transcend our usual experience). From the mouths of the makaras come tongues which come together in a point.

The five pronged vajra (with four makaras, plus a central prong) is the most commonly seen vajra. There is an elaborate system of correspondences between the five elements of the noumenal side of the vajra, and the phenomenal side. One important correspondence is between the five "poisons" with the five wisdoms. The five poisons are the mental states that obscure the original purity of a being's mind, while the five wisdoms are the five most important aspects of the enlightened mind. Each of the five wisdoms is also associated with a Buddha figure

THE VARJA (Dorje)
The Vajra is the quintessential symbol of Vajrayana Buddhism, which derives its name from the vajra itself.
The Sanskrit term vajra means 'the hard or mighty one,’ and its Tibetan equivalent dorje means an  indestructible hardness and brilliance like the diamond, which cannot be cut or broken. The vajra essentially symbolizes the impenetrable, immovable, immutable, indivisible, and indestructible state of enlightenment or Buddhahood
Vajras may have nine, five or three spokes. The spokes of a peaceful vajra meet at the tip whereas those of wrathful vajra are slightly splayed at the end. When paired with a bell their length can vary from four finger widths to twenty-eight finger widths.

The upper sets of spokes of a five spoked vajra symbolize the five wisdoms, which are
·         The Mirror like Wisdom--that which reflects all sense perceptions--is purified when one attains enlightenment and realizes mirror-like wisdom.
·         The wisdom of equality arises after all the feelings of pleasantness; unpleasantness and indifference have been purified.
·         The wisdom of individual analysis arises when the factor of discrimination, which distinguishes one object from another, is purified. It enables one to benefit each sentient being according to his or her needs and disposition.
·         The wisdom of accomplishing activity arises when the basic ability to perform acts according to particular circumstances is purified.
·         The wisdom of the sphere of reality arises when consciousness is purified and becomes the mind that is the seed of the wisdom truth body of Buddha.

The five lower spokes symbolize the five mothers.
In the case of the nine spooked vajra, the upper spokes symbolize the Buddha’s of the five families and the four mothers, one between each of the Buddha’s. The lower spokes represent the five wisdoms and the four immeasurable wishes of love, compassion, equanimity and joy.

The Sea-monster’s mouth from which each spoke emerges represents freedom from cyclic existence. Of the two lotuses at the hub of the vajra, the upper one symbolizes the eight Bodhisattvas and the lower one, the eight goddesses. Paired with a bell the vajra represents method or compassion.

 THE BELL (Dri bul)
A bell can be eight, twelve, sixteen, eighteen or twenty two finger-widths in height. Its base must be round, above which is a vase surrounded by the face of the goddess Prajnaparamita. Above these are a lotus, a moon disc and finally a vajra. The hollow of the bell symbolizes the wisdom cognizing emptiness. The clapper represents the sound of emptiness. The eight lotus petals are the four mothers and four goddesses, and the vase represents the vase containing the nectar of accomplishment.

Paired with the vajra, the bell represents wisdom, and as wisdom and method are an undivided unity so the vajra and bell are never parted or employed separately. The vajra represents the compassion of the Buddha, the masculine principle; and the bell represents wisdom, the female principle. To achieve enlightenment, those two principles must be combined. The bell is visualized as the Buddha's body, the vajra is visualized as his mind, and the sound of the bell is visualized as Buddha's speech in teaching of the dharma.

jueves, 9 de mayo de 2013

Buddhist Prayer Mala



In old Tibet, nearly everyone carried or wore prayer beads of wood, shell, amber, semiprecious, or precious stones. The materials differed according to the owner's taste and wealth, and depended too on the devotee's sect and the deity worshiped. The most highly prized beads were made from the bones of a lama.

In old Tibetan rosaries, three beads of different sizes and materials were used to divide the full rosary of 108 round or disk beads into four groups of twenty-seven each. At the point where the two ends of the string came together, three large retaining beads were included to indicate the completion of a round or circuit of prayer. These last beads symbolize the triad of Buddha, the doctrine, and the community. Attached to the main string were usually two strands of ten smaller beads. Known as the "number keepers" or counters, these act like a miniature abacus, keeping track of the number of times the user recites his prayers or mantra. The counter strings generally terminate with two small pendants, called the djore and drilbu. The djore (a representative of the conventionalized thunderbolt of Indra) is the single circuit string, while the drilbu (a tiny bell) marks every ten repetitions. In addition to these conventions, it is common to find personal odds and ends, such as tweezers or keys, attached to the rosaries.